b. ca. 1597, Haarlem, d. 1662, Haarlem  Related Paintings of VERSPRONCK, Jan Cornelisz :. | Portrait of a Woman er | Portrait of Anthonie Charles de Liedekercke aer | Portrait of a Man and Portrait of a Woman wer | Girl in a Blue Dress wer | Portrait of a Man |
Related Artists:
Lippo Memmi
active in Tuscany 1317-1347
RICCI, Marco
Italian Painter, 1676-1730 Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,
Johann Walter
painted Gustavus Adolphus of Sweden at the Battle of Breitenfeld in 1632